Komitas – Groong

Chamber Players of the Armenian Philharmonic Orchestra
Eduard Topchjan conductor
Isabel Bayrakdarian soprano
Serouj Kradjian piano

9 COMMENTS

  1.  -All Armenian, like me, the 67 year old son of a genocide survivor.
        -NOW – 2012, beyond the 19th century of Komidas.
        -Beyond even the beautiful American interpretation of Lucine Amara.
        -Mostly young 
        -All Armenian speakers
        -All seriously engaged in Armenian culture. And doing this together.
        – A 21st century interpretation
        -All at the edge of Armenia’s ongoing current history, and its newly established nationhood.
        -All proud of their heritage.
        -21st century Armenian – carrying on this heritage ….in SPITE of politics, corruption, economic distress, earthquakes. Indomitable, because THIS cannot be destroyed.

    YES. I am at this moment more convinced that THIS HERITAGE ….will not die. The torch is forwarded – if not through our children or their children, then through Armenia’s enduring culture, poetry, and music – and even in its still troubled people. 

    The music is sad, but the CULTURE is there, forever. And that is joyful. This song is perceivable by Armenians, and by NON-Armenians,  as being a universal plaintive cry from humanity. 

    It is the Armenian version of all of humanity’s cry. At heart, We ALL yearn.

    Ron Bashian

  2. I listen to this and I go to that time, become one even though Im not Armenian, it breaks my heart. This is such a soulful song. Cant believe Ive lived 22 years without knowing Gomidas.

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